Digging into the Detail with Albacappella

albacappellafeb26

I’ve just spent a happy weekend with Albacappella at their chorus retreat just outside Aberdeen. My remit was to work with them on an arrangement they had commissioned for this year’s LABBS Convention, although we also looked at their other contest piece and did some more general technique work that will apply across the board.

Some coaching trips develop a theme that runs through all our work. Looking back on this one, it feels rather more miscellaneous in focus, and thus hard to summarise. I think this is mainly because it was organised primarily around musical detail rather than skill development, so our focus shifted according to the needs of the immediate musical context. The reason for this approach is that everyone was specifically interested in what an arranger had to say about why and how they ended up with what they were singing.

Exploring the Expressive Beat with abcd

Course participants with their certificatesCourse participants with their certificates

I spent the weekend teaching the Association of British Choral DirectorsInitial Conducting course, in its new two-day format. I wrote in the past about the educational value of the previous structure of four one-day sessions a month apart. The practical downside of it was that it was hard for people to attend to the whole course, and the whole-weekend format was devised in response.

When preparing for the weekend it felt at first like trying to fit a quart into a pint pot, but as there is the expectation that people will typically do the course more than once before being ready to progress to the Intermediate course, it turned out to be actually quite manageable. And the core practical work has always been strongly tailored to individual needs, with people at somewhat different stages learning together, so in that sense it hasn’t really changed.

IABS Spring Sing

IABS Spring Sing 2026

I’ve just spent a happy weekend in Athlone as part of an international faculty at the Irish Association of Barbershop Singers’ annual spring education event, including educators from the US (Vocal Spectrum, Don Campbell) and Germany (Lucas Bitzer) as well as me from the UK. The structure of the event is built around coaching for choruses and quartets from across the association, supplemented by classes on various aspects of barbershop craft and a daily Big Sing chorus experience.

My role in the team was to do a modicum of coaching, but mostly to deliver sessions in a new initiative to develop Musical Directors and Music Teams. This included workshops for those already in post as well as sessions designed to give some initial training in musical leadership to help people not currently in such roles gain some confidence and experience to open up future possibilities for them. All organisations need to develop their pipeline of future leaders.

Back with BAC

BACfeb26

A week ago Saturday took me down to Bristol to coach Bristol A Cappella, in anticipation of their trip to Wuppertal to compete in the World Mixed Barbershop Chorus contest hosted by BinG! in March. It will be their final contest outing for the Barbie set that they took to the European and the British national contests last year. As such, we were working with material they know very well, and so the brief was all about enhancing the execution of the well-established concept rather than re-imagining anything. The main areas I was asked to focus on were resonance, swooshithroughiness, and making sure the choreography was working well with the voices.

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